its not that long since our main man rampue served his fine club anthem sonne, park & sterni as part of the audiolith singles club series and now hes back with another hot quadruple shot. this fine ep named mama was a progrocker is not only announcing springtime musically but is also serving a sneak preview of what the future holds for long time fans of rampue soundwise when it comes to forthcoming projects yet unveiled.

mechanized rumblings from the one of the pioneering cities of the industrial revolution. iii rivers takes the militant work ethic of the cotton trade and transports it to a nuclear based factory-line based on humankinds next proposed landing bay. when the inevitable apocalypse does occur, it’ll be these vibrations soundtracking the construction of our new civilization.

this is what happens when two scientists of the bristol bass continuum collaborate ...
a. keyhole : have you ever stayed awake for 3 days straight? this track runs in a parallel universe to our own - a bit like being in a hole you cant get out of.
aa. hydropump : die & addison groove force-fed the sp1200 with a secret 90s nutrient formula, creating the pairs first ever collaboration – hydropump. no spider mite here.

who would have thought that, when oliver koletzki released his blackout ep as svt001 almost eight years ago, stil vor talent would reach the catalogue number 100? with our 100th release, we can look back on lots of fantastic music, music by artists who have become part of a close-knit family of friends.

who would have thought that, when oliver koletzki released his blackout ep as svt001 almost eight years ago, stil vor talent would reach the catalogue number 100? with our 100th release, we can look back on lots of fantastic music, music by artists who have become part of a close-knit family of friends

excellent hypnotic house groover !!
new yorks borned and raised fred peterkin needs no introduction to the electronic music, world. having released on labels like underground quality, strength music, mule electronic and his own soul people music, ahd welcomes him after being fans of his music for years already and this ep is no exception to his extreme and unique quality. *reach* on the a side is a total dancefloor burner. one of the best tracks we have heard lately. keeps building from start to the end, having the peaking point when the arpeggio comes up fading in at the middle of the track. b side, *in the blue*, is the deep cut of the record and its a perfect example of freds dubby and warm feeling. check it out

slamming disco edits at it best, huge dj support: danny krivit, late nite tuff guy, ashley beedle, rayko ...
derek kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. prior to this, with dj equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. his work soon grew in sophistication and a new console was built, with his schoolmate, greg wilson, buying derek s old rig, thus beginning his own well-documented dj career.

move d is a true legend in deep, house music. we own a lot of his records. when we found the track * wanna do* on the 50th groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. the track was too good to be only available through that cd. so move d sent a second - also really great - track along, and the result is what youre listening to at the moment. the first 300 copies are available on marbled purple vinyl

move d is a true legend in deep, house music. we own a lot of his records. when we found the track * wanna do* on the 50th groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. the track was too good to be only available through that cd. so move d sent a second - also really great - track along, and the result is what youre listening to at the moment. the first 300 copies are available on marbled purple vinyl

hmcs most recent offering of techno and house music, city rhythm, (juice 002) is a sound typical of his influence on dance music culture in his hometown of adelaide, australia. from pre-internet days when scenes throughout europe and the us were created on the back of techno and house music, a smaller but just as significant scene had developed in adelaide, celebrations were a weekly occurance on adelaide dance floors and dj hmc was responsible for the playlist.

lady blacktronica drops 4 under her haze n adaeze moniker. pressing on multi-coulour marbled vinyl.

fresh from the honey cave, where the master bears have been at it, slaving away, bsm is proud to present a sweet as honey offering today, a new four track vinyl of fuzzy delights! and as ever, coming up with the goods, to which already all the bears and bearettes are kickin it hard in the woods! so when you go down to the woods today, be sure to ready your ears, for the deep beats & other sweet treats designed to crank up the gears, featuring homeboy, the audiowhores, acid andee & manjane and gramophonedzie all displaying their wares, youll be pleasantly surprised at what soooper-phat tunes can come from a bunch of bears.

atmosphere relaunches itself with a great new artwork and hot music too. german minimal lounge (underyourskin records, rennbahn) presents his new green lemon ep with two deep originals and a 2013 re-treatment of the wellknown sensitive congo for marc raum (040 recordings, hansehertz).

masterpiece!! >awake from a dream< is a whole journey through the night distilled on one ep. rising sun takes you with him to four delightful moments of a real house night and beyond. from the warm welcome of >come together< to the hypnotic percussions of >change< and along with the rough grooving edges of >ny 94< you will find your way to the soothing >when the morning comes<.newly founded record label wake up! from lüneburg is more than excited to start its path with such a unique release.

fishermen is a new project created by martin (mrsk) and his friend thomas. their first ep was released on the skudge white series. when it is time for their second coming, delirium tremens, the duo delivers four tracks of dark, grinding soul techno, inspired by the sea. to be played at maximum volume

limited edition of 275 numbered copies.
when gilles peterson reacts to a house record, you know it is a very special house record. deep and soulfull, love it - was what the 6 music dj thought of these two. if that wasnt enough, trickski described best things in life are free as one hell of a bomb. add in support from jimmy edgar, mark e, severino and dusky and this is looking like one of glasgow undergrounds most successful records to date. love games is the a bit of a wolf in sheeps clothing. what starts off as hooky percussive groove slowly morphs into a full vocal classic with swirling chords and a killer synth hook. severino dropped it at fabric recently and took the roof off the place. best things in life are free is a darker affair – all wandering acid lines and moody, emotional strings - but as trickski proved when they played it at watergate, just as effective.

diamond version craft music that is somehow simultaneously futuristic and archaic. on the surface, its static effervescence and mechanistic precision evoke the march of technology and the sinister detachment of late capitalist society. but it affects listeners on a more instinctive level, interfacing directly with the nervous system and rendering the polyphonic chatter of the bodys impulses crisp and cold. there is something oddly permanent about they rhythms they unearth, as though theyare simply tapping into a deeper pulse that has always been present within their circuitry. diamond version is a collaborative project between two of the most groundbreaking, experimental and forward thinking operators in modern music, olaf bender and carsten nicolai. as joint heads of the berlin-based label raster-noton and with solo projects alva noto (nicolai) and byetone (bender), for over a decade they have been releasing work that spectacularly blurs the lines between the visceral and the conceptual, bridging the gap between gallery and dancefloor. diamond version release the latest instalment in their series of eps leading up to an album in summer 2013.

listening to flaws its hard to believe denai moore is only 19. born in spanish town in jamaica in 1993, she grew up surrounded by her musician fathers instruments and record collection at home, and by the time her family moved to tottenham, london when she was 10 she was already displaying songwriting abilities beyond her years.

after a two year stop we decided there could be no better ep for gem records to return to pressing vinyl than this analogue tape recorded kaap de goede hoop jam. when we were putting together 363a everything just fell in to place kaap de goede hoops bobby van putten says.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke

im:ltd, the label with more treats in his pockets than your sugar daddy, is back once again to unleash the latest efforts from ukrainian producer hibea white owl.filled with with bass frequencies lower than a strippers self esteem, fierce percussions and jungle-like wild breaks and backed up with some heavy duty remix works from rising sex symbols phil tangent and fade, that 4 track collection is a definitive must have for any lewd dnb fan.when these drop, owls wont be the only birds whose heads are spinning!

next up on local talk we got a raw peak hour jam from liverpool producer dale howard (lost my dog, large, morris/audio, off rec). there is nothing light or fluffy about these tracks, its just dirty straight up house music with a dark 90s basement feel. for the main track we actually chose the dub version of throwback over of the original mix. we just thought this version was soooo freakin raw even though its more stripped than the original version. you’ll see what we mean when you drop it in the club! the second track in out goes along the same house theories as throwback with jackin beats and deep chords that will do wonders in any authentic house basement. all in all, a might fine release of classic local talk house music. enjoy!

geno presents its first record from label head, aaron hedges. aaron has been very busy djing in berlins best venues: kater holzig, prince charles, arena/badeschiff, and his bi-monthly residency at klangsuchts gegen kultur party. when aaron is not playing, he is been locked away in his studio working on a full length album and numerous forth coming vinyl/club oriented eps.
the title track, blasta, is a sleek and modern tech house stormer. blasta contains well blended and diverse influences, such as african jazz, jamaican dub, and german and french house. it is this unique and normally disparate genres of music and production styles that makes blasta a unique gem. the b side, collapsed caldera, is a break beat oriented, organic house song. guitar, harp, and vocals gently guide over complex yet natural percussive rhythms.

scott mou, known as one half of the duo jane – the folk techno drone duo he had with panda bear - aswell as part of manhattans famous record store other music, debuts with his soloproject queens. johan jacobsen describes the wonderful music of queens in oxymorons, colorful monochrome, myopic depth, sad joy, driven slowness, enlightened darkness, universal intimacy, ethereal earthboundness ... as it should be. queens is one of those wonderful artists who are hard to catch on the fly, who escapes easy definition. his music is an unexpected and unimagined universe ready to be explored, and it s a universe that is wonderful to be in. when dial records david lieske and peter kersten listened to a performance of their new york based friend in 2009, it was one of those unforgettable unique experiences you only have once in a long while these days. the idea of releasing an album was born. the production of end times involved other labelmates such as phillip sollmann aka efdemin (recording), kassian troyer (mixing) and hendrik weber, who once joined a life performance on stage with scott mou in 2012.

incl. smash hit locked out of heaven !

excellent 2x 12 inch with hot maceo plex tracks and edits... nice

massive techno sound coming from mik izif. banging bass, melodious lowfreq bassline and slamming charleys will drive the dancefloor up to madness. even when you believe the kick is there, it is not the kick grows and grows and grows. screaminfg crowd passport style!

when thomas lauren came to us with his new techno project qindek, we were instantly intrigued. qindek sees thomas moving away from his melodic background into uncharted abstract territories, without losing the warmth and depth

der an beiden us-kuesten beheimateten band!(gesprochen: chk chk chk) gelingt auf ihrem neuen album eine laessige graetsche: sie feuern nacheinander diverse singlekandidaten ab in richtung tanzfläche, kombinieren sie aber so perfekt zu einem schluessigen ganzen, dass ihr >thr!!!er< auch als album bestens funktioniert

from deepest london with love ... enjoy this blend of delicate vibes full of conceptual deepness, precision sound, killer grooves and diverse emotional beauty. free download code for all five tracks (4 on vinyl + bonus) when buying vinyl.

>i was a cat from a book< ist james yorkstons erstes album seit >when the haar rolls in<. sein neuestes schaffenswerk ist voller energie und absolut großartiger musikalitaet - und außerdem voll mit yorkstons bisher staerksten und gleichzeitig ueberraschendsten songs.

the bomb that should have dropped way back when. after a career spanning almost two decades dj overdose debuts on creme with his first full length album, upon which we remark with carefully considered understatement: a veritable tour de resistance in film noir electronics, bizarro world is a dank and dark alley made flesh

vinyl is limited to 300 and comes with a code for a free download.
jonas munks work as manual has never sought to radically reinvent itself. rather, he has spent the time since his debut ep in 2000 perfecting and refining the sound that is so distinctly his own - with each successive album meticulously exploring certain aspects of the manual sound. there is an ongoing insistence that there is originality and beauty in his finely crafted productions, even in times when they seem terribly out of tune with the current trends. in munks view originality isnt so much a constant renewal of oneself but rather the creation of a unique and confident style that is continuously relevant.

support by Âme, tsugi, groove, ben sims, raresh, john osborn, par grindvik
skoog has put out countless records since the late 90s on labels such as drumcode, synewave and planet rhythm. agaric is another name he has recorded as over the most recent years, when releasing his music on labels such as josh winks ovum, or making club tracks series here on the we are label.

comes with code for free mp3 download.

it came as a great surprise when nail accepted to press on vinyl the 2011 produced bpms vol.1 he had so far only released through his own website. nail has been one of our favorite producers for quite some time now and his relentless beats always part of our selections.

the guys from audision are back with their next release in coloured vinyl! they produced chimes 1 for their live-set and it was much appreciated by the crowd. their new syntie roland jd 800 sounded crystal clear in their studio, but when they practiced for their live set in frankurt last year, all of a sudden it played a different sound … this was a magic moment which had to be recorded at once. the typcial audision device is: let the machines do the talking. and that is the also the story of chimes 2 *away* was the beatless track from their last years release up & away. so no one else but gez varley aka g-man created a dancefloor monster out of it. where can we start, when we talk about such a genius like gez varley. he was co-founder of the legendary lfo (warp records) duo. he wrote music history with his partner mark bell. under his solo project g-man, he released on labels like wir, i220, force inc or swim. *quo vadis* is still one of the most important all-time favourite techno tracks. last but not least a typical rough and deep house mix came out of christopher raus machines. the smallville member released on labels like, pampa, derive, aim, mule… and delivered a great track for this wonderful release. all in all - a must have!

in a world in which upstart diy talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. lapalux – aka 25-year-old stuart howard – is certainly one such. as singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. nostalchic is his debut album, mission statement, and the climax of many years of studying his craft. the amalgam of words that make the title is aptly, and perhaps knowingly chosen. the album evokes nostalgia without ever sounding nostalgic, and howard may have had his tongue in his chic when he added the second half of the title. the album is his most focused document to date, adding his beloved r&b and soul into elements of house and hip hop, all with the trademark lapalux finish, infectious, lopsided swing and achingly deep texture.
white coloured double 12 inch vinyl, includes code for free mp3 download of the full album.

switch away your mind into the dusty and happy twenties when pharmacies sold coke over desk and the ballrooms were filled with glamour!

when making a track, whatever his genre although in this case it would be electronic music, you can use reverbs, plugings, effects, loops, low bass or many simple and opportunist crookery or you can try a double somersault of talent, riskm and clubbing experimentation.

the clock struck 5 a.m. when last summer your puzzled author could experience a pretty strange dancefloor-jamais vu in the very sense of the word.

with a techno career stretching nearly a decade, finlands samuli kemppi is a natural choice for the fourth edition of themas continuing chronicle series. his intensely rhythmic, futuristic style has been making its mark across europe since 2004, but it was really four years later, when he was picked up by ostgut ton, prologue, and kosmisch, that the world found out the true impact of his sound. since then he has enjoyed his strongest support from the last of these imprints and, even more importantly, from luke slaters powerhouse mote-evolver, a go-to since its inception in 2006 for the freshest sounds techno has to offer. following the summer launch of his own deep space helsinki label, we are proud to announce kemppis chronicle debut with voyager, an ep of deep, science fiction sounds backed by intense beats.

groovy bass lines, sassy drums and a classic and clubby wave conduction. there is a little something in every track to help you find the mood when you miss the groove

>a blink of an eye< is the long awaited successor with 10 tracks of future funk. ranging from the nastiness of >jump bugs< to the fragile beauty >ray & claire< its classic syclops all the way. produced by maurice fulton.

mihai popoviciu has established him self as a producer and dj of high repute in the past few years. his releases on labels such as highgrade, fear of flying and hudd traxx have raised the bar pretty high when it comes to his own distinctive take of the tech-house sound du jour, but its this latest outing on poker flat recordings where sparks really start to fly.

heavily infuenced by the early works of zoltar, adsum got into electronic music at an early age. then some years ago, when he had to move to earth, things got more serious. spending his time between loops he learned their language, being able to blend in like one of them. so here we go. this release represent just a friendly hallo to our listeners.

over the last few years douglas greed live with his band has twisted heads at festivals over a few beers.underway with a percussionist and singer he is constantly on the highways ravaging the gas stations of europe – especially for the last few months. what has developed on the stage as a stout twister session for adults is now presented as a music release.the title piece masked up and messed up puts up a fat middle finger to everyone who lets their vanity slip out at the masked ball. the track is a bass-bellied house rocker along with vocals that wink an eye with a snot-nosed chorus added.with 5000 ansi lumen the lights roll on and off with a flick. there isn t anything the neighbors can do by knocking on the door when the cross-trainers are carrying the load of the baseline! the rainfall in the very first beat provides space for a a dried-out drum. in this dusty atmosphere, it builds up ever and ever more and takes flight to the foremost place. a groovy stop and go – dissolved into a supplication for rain and salvation.

third part with excellent deep delicious detroit house